Od rozkoszy historiozofii do „gry w nic” polska krytyka artystyczna czasu odwilży

Piotr Juszkiewicz

Dodatkowe informacje

  • Tytuł (en): From the Bliss of Historiosophy to the "Game of Nothing." Polish Art Criticism of the Post-Stalinist "Thaw"
  • Typ publikacji: Monografia
  • Rok wydania: 2005
  • Wydanie: I
  • Seria: Historia Sztuki nr 29
  • ISSN: 0556-1019
  • ISBN: 83-232-1533-2
  • Liczba stron: 335
  • Liczba arkuszy wyd.: 26,75
  • Format [cm]: 17,0 x 24,0
  • Rodzaj oprawy: twarda, foliowana
  • ::: UAM – Pasja dobrze wykształcona
Publikacja dostępna w formie elektronicznej na


Nagroda Artystyczna im. Jerzego Stajudy (2006)

Abstract (en)

The subject matter of the book is the critical discourse on art in the Polish art and cultural periodicals of the post-Stalinist "thaw." What makes this topic significant is the fact that the critical discourse became at that period an area of convergence for all the key terms defining the status and role of art, as well as the functions of artists, critics, and art institutions. The character of those concepts that during the "thaw" were formulated for years to come, in many cases until the end of the communist Poland, determined Polish artistic culture and the moral, intellectual, and political identity of at least two generations of Polish artists, art critics, and art historians. The mode of historical analysis presented in the book has been dictated by the author's belief that universal definitions of the identity of art criticism ought to be abandoned in favor of observing transformations of the discourse on art and its relations to other social practices, as well as by recognition of the need to take into account the rhetorical construction of critical texts.

Wydawnictwo Naukowe
Uniwersytetu im. Adama Mickiewicza
Collegium Maius
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61 - 701 Poznań
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Dział Handlowy press@amu.edu.pl,    Sekretariat wydnauk@amu.edu.pl